secondary: 30 students of secondary 3&4 between 15 and 17 years old | John F Kennedy High School (Montreal) | January to April 2011
SEC 3& 4
GOAL: HOW CAN YOU USE PAPER AS A PAINTING OR
SCULPTURE MATERIAL?
PROJECT: PAPER COLLAGE
DURATION: 3 to 4 sessions
TEAMS: individual work
KEY CONCEPTS: shape, layer,
juxtaposition, composition, mosaic, color scheme
MATERIALS:
´
Paper
´
Scissors
´
Glue
´
Magazines, images, books, photos, etc.
´
Pencil
´
Ziploc bag or
container to keep your pieces of paper safe
FEATURED ARTISTS
´
Richard Hamilton
o Interior II (1964)
o Fashion Plate (1970)
´
Vik Muniz
o After Van Gogh (2002)
o Self portrait (2005)
´
Hannah Hoch
o The Beautiful Girl (1920)
´
Romare Bearden
o Mecklenburg Autumn (1981)
´
Derek Gores
o Blowing Bubbles (2009)
o For all Americans (2009)
´
Joanna Livesay
o Culture Shock (1994)
STEPS
- Exploration
Part 1: The
difference between a painting and a drawing is the use of shape rather than
line. A collage is exactly that: space filled out by shapes of colored paper to
create a certain image. You’ll be making a collage out of pieces of paper. Look
at the artworks in the FEATURED ARTISTS section above and see the different
shapes and sizes that the paper is cut out of. Some use bits of flat color,
others cut out full images. Notice the subjects that each of the artworks are
about; feminism, consumerism, fear, hope, etc. Think of what theme you would
like to do your artwork about and sketch 3 different images you could use for a
final collage, then pick your favourite or make a combination of your favourite
parts to create a whole image.
Part 2:
You’ll have to create a color scheme for your collage. Make sure to start by
making a complete color wheel with the primary colors and the secondary colors.
Then, choose one main contrast plus one main harmony that you will be using for
your collage. Think about the colors you are using: contrasting colors lead the
eye to focus on certain elements (ex: a pumpkin in the dark night), while
harmonies create a pleasant theme to link all elements together. Start cutting
out or tearing your bits and pieces of paper in the right colors. Keep them
safe until you start on your final piece. Make sure you take just enough paper
and in the colors that you want, but keep some extra in case you end up needing
more than you originally thought.
- final
work
Part 1: Choose
your favourite sketch and re-create your chose sketch on a bigger piece of
paper, this time, paying more attention to the details and the composition.
This is the paper on which you’ll glue the paper you cut/tore during the
exploration. The next step is easy: it’s like paint-by-numbers.
Part 2: Glue
the paper you cut/tore onto your final drawing, covering all the white spaces.
Cut and tear more as you need it. Once everything has been glued in place and
there is no white space left on your collage, it’s done!
JUSTIFICATION
This will be done as a 1/2
page written assignment or sketchbook page. You can write it by hand as long as
I can read it properly, otherwise, I suggest typing it. Note that you will get
more points if you answer the questions and explain WHY. The following
questions will have to be answered:
´
How is collage
similar to painting? Can collage become painting?
´
What did you
find easy about this project?
´
What was more
difficult?
´
If you had a
million dollars, and you could take any material and make a collage about
anything, what would it be, and why?
RUBRIC
ARTWORKS:
|
|
3 sketches
|
/30
|
1 final sketch
|
/20
|
Color wheel with
primary, secondary colors, 1 contrast and 1 harmony
|
/20
|
Final work with no
white spaces
|
/10
|
Cut or torn paper
placed with attention to create a clear image
|
/10
|
The shape and size
of the cut/torn paper has been thought out
|
/10
|
Cut or torn paper
has been glued with attention
|
/10
|
JUSTIFICATION:
|
|
Describes how
collage is similar to painting and if they are so similar that a collage can
actually be a painting
|
/20
|
Names the easy
parts of the project and explains why
|
/20
|
Names the harder
parts of the project and explains why
|
/20
|
Explains a specific
project that would be created if there was no limit on material, subject, or
size
|
/40
|
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